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Bose Krishnamachari is an artist and curator whose artistic practice includes bold abstract paintings, figurative drawings, sculpture, photography and multimedia installations. While stylistically varied, a common thread throughout his work is a critique of power structures that operate within the art world and more broadly in contemporary society. In his first solo show in 1990, Krishnamachari deployed a minimalist style, producing an abstract black on black with white perforated paper, reminiscent of Braille.

In both his art and his curating, Krishnamachari examines the art historical canon and exposes its inequalities. De-Curating – Indian Contemporary Artists, 2003, included 94 sketches and paintings of living Indian artists – both well-established and emerging practitioners. The works resulted from three years of traveling across India, meeting, talking, photographing and drawing. This journey was, in his words, ‘a hand-made tribute to the memory of that “whole-time worker”, the artist’ and undermines the value judgments of art history, presenting the artists as equally significant. Krishnamachari’s desire to support and promote lesser-known artists also extends to his curatorial activities he has previously devised exhibitions that offer Indian artists visibility in larger cities and opportunities for exposure within the international contemporary art world.